Caroline Cox. ‘Scuse Me While I Kiss The Sky. At Sarah Bowen Gallery, Bklyn, NY, 4/05-5/0.
Circles of phosphorescent red punctuate the interplay of light, dancing on the suspended mirrors and on the floor, but we see them only in reflection; we cannot see the red directly. We can detect their source though; the painted underbellies of the suspended mirrors. The effect, subjectively speaking, is not so much to remind us of what we cannot see amidst this field of seemingly endless light and refraction, but to seduce us with the suggestion that we can in fact see everything at once. We see the top and the bottom of things, the clarity and opacity of things. We can see to the edge of the universe and also can begin to understand that there are no edges at all; that everything, from the smallest drop of water to the largest galactic cluster possesses within itself an equal infinity of space and meaning.
- Matt Freedman, catalog essay
- E.E. Cummings (via theydontwantustoescape)
(via tattoolit)
- Cyril Wong, from “Boats” (via words-in-lines)
(via the-final-sentence)
Gravity by Filip Piskorzynski
Gravity by Filip Piskorzynski
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you.
You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity.
Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head.
You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs. (via The Fox is Black)
Tony Ariawan. Beauty Spirit (recolouring version).
We’re in Chicago next week for the AWP writers conference and will be throwing a happy hour for Tumblr writers of all stripes. We’d love to see you there.
The venue, Uncharted Books, is a new bookstore funded on Kickstarter which had a Tumblr blog before it was born. It’s a dream spot for book-web-community nerds and we absolutely can’t wait to see it (and all of you.)
(Source: rachelfershleiser)
TRIGGER WARNING: Rape
I am over rape.
I am over rape culture, rape mentality, rape pages on Facebook.
I am over the thousands of people who signed those pages with their real names without shame.
I am over people demanding their right to rape pages, and calling it freedom of speech or justifying it as a joke.
I am over people not understanding that rape is not a joke and I am over being told I don’t have a sense of humor, and women don’t have a sense of humor, when most women I know (and I know a lot) are really fucking funny. We just don’t think that uninvited penises up our anus, or our vagina is a laugh riot.
I am over how long it seems to take anyone to ever respond to rape.
I am over Facebook taking weeks to take down rape pages.
I am over the hundreds of thousands of women in Congo still waiting for the rapes to end and the rapists to be held accountable.
I am over the thousands of women in Bosnia, Burma, Pakistan, South Africa, Guatemala, Sierra Leone, Haiti, Afghanistan, Libya, you name a place, still waiting for justice.
I am over rape happening in broad daylight.
I am over the 207 clinics in Ecuador supported by the government that are capturing, raping, and torturing lesbians to make them straight.
I am over one in three women in the U.S military (Happy Veterans Day!) getting raped by their so-called “comrades.”
I am over the forces that deny women who have been raped the right to have an abortion.
I am over the fact that after four women came forward with allegations that Herman Cain groped them and grabbed them and humiliated them, he is still running for the President of the United States.
And I’m over CNBC debate host Maria Bartiromo getting booed when she asked him about it. She was booed, not Herman Cain.
Which reminds me, I am so over the students at Penn State who protested the justice system instead of the alleged rapist pedophile of at least 8 boys, or his boss Joe Paterno, who did nothing to protect those children after knowing what was happening to them.
I am over rape victims becoming re-raped when they go public.
I am over starving Somalian women being raped at the Dadaab refugee camp in Kenya, and I am over women getting raped at Occupy Wall Street and being quiet about it because they were protecting a movement which is fighting to end the pillaging and raping of the economy and the earth, as if the rape of their bodies was something separate.
I am over women still being silent about rape, because they are made to believe it’s their fault or they did something to make it happen.
I am over violence against women not being a #1 international priority when one out of three women will be raped or beaten in her lifetime — the destruction and muting and undermining of women is the destruction of life itself.
No women, no future, duh.
I am over this rape culture where the privileged with political and physical and economic might, take what and who they want, when they want it, as much as they want, any time they want it.
I am over the endless resurrection of the careers of rapists and sexual exploiters — film directors, world leaders, corporate executives, movie stars, athletes — while the lives of the women they violated are permanently destroyed, often forcing them to live in social and emotional exile.
I am over the passivity of good men. Where the hell are you?
You live with us, make love with us, father us, befriend us, brother us, get nurtured and mothered and eternally supported by us, so why aren’t you standing with us? Why aren’t you driven to the point of madness and action by the rape and humiliation of us?
I am over years and years of being over rape.
And thinking about rape every day of my life since I was 5-years-old.
And getting sick from rape, and depressed from rape, and enraged by rape.
And reading my insanely crowded inbox of rape horror stories every hour of every single day.
I am over being polite about rape. It’s been too long now, we have been too understanding.
We need to OCCUPYRAPE in every school, park, radio, TV station, household, office, factory, refugee camp, military base, back room, night club, alleyway, courtroom, UN office. We need people to truly try and imagine — once and for all — what it feels like to have your body invaded, your mind splintered, your soul shattered. We need to let our rage and our compassion connect us so we can change the paradigm of global rape.
There are approximately one billion women on the planet who have been violated.
ONE BILLION WOMEN.
The time is now. Prepare for the escalation.
Today it begins, moving toward February 14, 2013, when one billion women will rise to end rape.
Because we are over it.
Trinity College’s production of The Vagina Monologues closed out with this last evening, and I wanted to share it with all of you.
Do Ho Suh. Cause & Effect.
This giant tornado of piggybacked men is an installation by Korean artist Do Ho Suh that is currently on display at Western Washington University (photographs above depict it in alternate configurations). Via Western:
“‘Cause & Effect’ evokes a vicious tornado. This vast ceiling installation is a composition of densely hung strands that anchor thousands of figures clad in colors resembling a Doppler reading stacked atop one another,” said Do Ho Suh, adding that the artwork is a “physical realization of existence, suggesting strength in the presence of numerous individuals. The work is an attempt to decipher the boundaries between a single identity and a larger group, and how the two conditions coexist.”
Suh has been all over the news lately with his recent Fallen Star Lands installation in San Diego, and his Floor piece in Singapore. See many more views of this piece and other works here. (via the stranger, korea.net, herry lawford) (